Louis home in the spring of 1900, he was starting to become nationally-known. Yet like jazz, rhythm and blues and hip-hop, ragtime soon made the transition from music of the counterculture and black culture to music enjoyed by the white middle class.īy the time Joplin moved into this St. It was played in the saloons, brothels and skid row restaurants of railroad towns and port cities in the Midwest. In its early days, ragtime was not the music one heard at concert halls. That evolved into the piano-dominated music called ragtime, originally known as “ragged time” because of its supposed ragged sound. In time he left Beethoven and the rest behind and gravitated towards the improvisational, syncopated rhythms that had their roots in the minstrel tradition. Joplin may today be remembered the King of Ragtime, but he was a child prodigy who grew up playing myriad instruments, composing music and rendering the classics. The bottom floor is a mini-museum devoted to ragtime and the early recording industry the top floor is a recreated turn of the century flat, furnished like Scott Joplin and his wife Belle might have done during their residency. It is open as a state historic site, serving both as a tribute to Joplin and perhaps the nation’s most significant monument to this truly American musical genre. The only home where Joplin ever lived that still stands is a humble yet handsome, brick, walk-up flat on Delmar Boulevard in St. And nobody in the late 1890s and early 1900s wrote and played ragtime as well as a Texas-born itinerant musician named Scott Joplin. Berlin and information about the annual Ragtime Festival in Sedalia, Missouri.What jazz was in the 1920s, rhythm and blues was in the 1950s, and hip-hop was in the 1980s, are what ragtime was at the turn of the 20th century: on the cutting edge, music played in not so savory places and an art form that respectable people said was going to be the end of western civilization as we know it. This site includes a detailed biography by Edward A. This website provides photographs of the Joplin house in St. This website provides a biography of Joplin as well as a thorough explanation of ragtime music. This site is full of information about Scott Joplin and other ragtime musicians. The Society is not responsible for the content of the following websites: These links, which open in another window, will take you outside the Society’s website. This collection includes sheet music for six Joplin compositions: “The Favorite,” “Felicity Rag,” “Leola,” “Maple Leaf Rag,” “Palm Leaf Rag,” and “Stoptime Rag.” Includes printed brochures regarding ragtime, jazz, and Scott Joplin. Shoemaker, Columbia, MO, from Venice, CA, about ragtime musician Scott Joplin. Campbell, Sanford Brunson, Papers, 1947 (C3204).“Ragtime Struts Back Home.” Missouri Life. Missouri Historical Society, Spring 1994. “Scott Joplin and Sedalia: The King of Ragtime in the Queen City of Missouri.” Gateway Heritage. Columbia: University of Missouri Press, 1994. Dancing to a Black Man’s Tune: A Life of Scott Joplin. Columbia: University of Missouri Press, 1999. “Scott Joplin House State Historic Site.” Missouri Resource Review. King of Ragtime: Scott Joplin and His Era. Louis and Scott Joplin: Atlanta Revives Opera Composed Here by ‘King of Ragtime.’” An editorial reprinted from St. “The King of Rag-Time Composers is Scott Joplin, a Colored St. “Respectability for ‘King of Ragtime.’” Kansas City Times.
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